Conversation with Ustaad ji (Indresh Malik) from Heeramandi

Heeramandi: The talk of the town right now is the Diamond Bazaar. For a long time, Sanjay Leela Bhansali’s over-the-top (OTT) debut was billed as one of his best works to date. As viewers immerse themselves in the story, which is set in Lahore prior to partition, many are astounded by the series’ visual extravaganza, with critics praising some gripping scenes on social media.

The portrayal of Ustaad ji by Indresh Malik is one example of this. The strategist, who was ethically dubious and had loyalties split between Shahi Mahal in Mallikajaan and Khwabgah in Fareedan, has captivated audiences with his captivating portrayal of the Heeramandi follower. Indresh spills the beans in a special interview with The Express Tribune.

When asked how he got on board for the role, Indresh responds, “I got a call from Shruti Mahajan’s casting company, asking if I would take on this role.” “Initially, it was supposed to be a small part, but I immediately knew I had to do it.” He modestly states, “Sanjay Leela Bhansali has been kind enough to give me this opportunity.”

Providing insight into the whole ordeal of filming Heeramandi, Indresh says, “This was my second project with Sanjay Leela Bhansali, so it was an experience to cherish.” For as long as I live, I will continue to learn a great deal. I was welcomed to contribute and encouraged to improvise. My amazing staff made it easy for me to get through.”

For many people, it can be a dream come true to execute a character that dances in the grey, and it appears that this was one of the reasons Indresh was drawn to Ustaad ji. “I was drawn to the complex personality, background, vulnerability, and turmoil of this character, along with his craving for love and acceptance,” says the actor. “There are many shades of courage associated with his past.”

Bhansali is renowned for being a visionary who is inspired by his artistic ability. Numerous people have spoken out about the same thing in the past, with some even acknowledging that it may be so daunting that it makes you want to give up. But Indresh thinks otherwise. “It was all passion,” he says. “Sanjay ji’s passion is contagious and excessively so.” I simply followed the current.”

For artists, the rushing river of emotion can be a vital source of sustenance, but it can also cause a project to drown in its own vitality. Respect for the original material has been the subject of a contentious debate that has started, at least in Pakistan. Some argue that Bhansali’s Heeramandi does a disservice by straying too far from the historically relevant location it sets out to fictionalize, despite the fact that many have praised the work’s visual worth. Indresh responds, “It’s a debatable issue,” to this. The freedom of artists to express and create is widely cherished.

The project has been receiving so much praise that it is impossible to ignore the source of disagreement. “It’s endearing,” Indresh remarks. “I never anticipated receiving this much praise. God is gracious.” “My directors Mitakshara Kumar, Abhiruchi, Vibhu Puri, Swapnil, and Ashna were of great help, aside from Sanjay ji,” he continues. The strength of Vahbiz Dorabjee has remained unwavering.

Following a masterful performance, the actor teases that he has much more to offer while basking in the glory of the accolades bestowed upon him for bringing to life a character as deep and complex as Ustaad ji. Regarding the next project that his admirers and fans can look forward to seeing him in, he only teases, “Another rocking and excellent piece of work.”